Well for the most part I agreed with what Kirstie said so I will only add some bits of difference. For starters I think I am hooked on the Hold Steady and The Thunderbirds are Now!. Both delieved great sets of power-pop/rock with an undertone of punk sneer. They would make the perfect duoble bill at the empty bottle. Andrew Bird was perfect, again with Kevin O’Donnel backing him up on drums and some keyboards/samples. His haunting whistle and soaring violin are best heard out side where he can really let his voice ring. Out Hud was ok, I liked the Four Tet set the previous day a bit more for the same music. But, they were a hoot to watch. Deerhoof was good but I think they had a hard time keeping as tight as they were in the Open End Gallery a few months back due to the outdoor setup. Even so, a lot of fun to hear “bunny bunny bunny” sung by a short japanese woman. Les Savy Fav is a weirdo, and if he didnt scream I would have enjoyed their set better. Closing with the Decemberist was great. There was a huge crowd of ppl there for them and they all were really into it. They have a much more delicate sound which didnt translate well outside but it still worked. A perfect way to close the weekend.
Now onto my thoughts about the whole she-bang. I have to give Pitchfork props, as much as I dont like their reviews, they set up one heck of a weekend. Even if you walked up off the street, 15 clams is cheap, one would pay that for some the acts alone at the metro. The weekend pass for 22 was a steal, I felt like looking for tip jar. This setiment was repeated with almost everyone I ran into over the 2 days. And that was great, the local support and local involvment. I saw members of my favorite local bands, record stores, ppl I have met at shows. They had the guy that own’s the hideout (his name slips my mind right now) introducing each band, Thax had a slew of poems throughout, WLUW had a record fair, Depart-ment set up some tables, Abbey had the curry fries. I saw Adam “rabid taper” in the soudn booth multiple times, parents with kids (one 3 year old who was a Death from Above 1979 fan). Problems were minor, ticket lines were not well labeled for when 100’s of ppl were qued up to get in (hint put these things above head hieght so that we can see them from a far) the free water fountain was not labeled at all and there needed to be more garbage cans throughout. The sound for an outdoor fest was the best I heard in a long time, almost all areas sounded well. Overall, the whole weekend really gave me a feel that chicago really had a great support for independent music. The ppl there were really into it, and those that just wanted to chill stayed out in the fringes enjoying the day and not ruining others. This was shocking, take a random night at the bottle and there will always gabbers, usally right behind me in the music room. Add to that the fact that multiple times bands got the crowd to clap, dance, sing, sit and not just like the few right up front, we are talking the whole freaking park. My friend Terry put it right when he said they should out law indoor shows in the summer, I didnt agree at first, but by the end of the weekend there wasnt anyplace I wanted to be but in that feild, Kirstie’s head on my lap, listening to The Decemberists, and feeling that cool lake breeze. I mean for most if not all of these bands, this was probably the largest crowd they have played infront of. I think any music fan gets in a rut where they think “there just isnt any good music anymore, not like back in (insert your favorite year here)”, then pitchfork comes along and asembles 2 days of music where I had an incredibly difficult time getting to the other perks because there wasnt a band I didnt want to see, even a little bit. And, for us Chicago-ians who see the press laud the praises of the music scenes on the coasts, its gratifying to see that Chicago should still be heard. We can get 20K+ ppl into a field on the west side for 2 days of music. This weekend made me not only proud of our “scene” so to speak, but for indie music in general. Something I dont say often but THANKS PITCHFORK I look forward to doing this again next year.